글 수 645,063
Imperfection
Concepts like art and life must mix with each other because there is no point in keeping a distance between human activity and the human. Life is art (creative energy - sexual), who said that? This is the reason why the most intriguing art is the one is about life, that reveals different experiences, specifics, questions, and points of view.
When it comes to life, it is essential to reject the idea of a perfection to be achieved (in order to respond to such expectations The only art that we can think of is that of the cinema). The nature of error is the essence of being Human The stumbling block that we've every one of us at one point or another: impulsive judgement, haste, fear or anger, the unending need for control and security, wrong choices. Do you think you've not made one of these errors?
Open: https://squareblogs.net/playvinyl5/high-5-books-about-lucio-fontana a new perspective from which to see
When we slip, we hurt ourselves more or less intensely and are prone to judge that fall, to consider the error as a result of the expectations we hold of ourselves and other people. The injury is the actual point from which we see the truth. From there, we can no longer rely on the illusion of perfection (which if it were such would not be a problem) and examine the things that are broken. We look at it and then look at ourselves.
Fontana cut her hair with the consciousness of breaking, opening, tearing since destruction is often the strongest creative action, and all the more so in a culture that, since a very early stage, we're immersed in a powerful, imprinted system of beliefs and models. It is no coincidence that Fontana said in 1963 in an interview with Nerio Minuzzo that:
"The critics have always criticized me, however, I never worried about it, I went ahead anyway and I didn't take anyone's salute. In the past, they called me 'the one who has holes', with a little pity. However, today I can see that my cuts and holes have earned me a reputation that is accepted, and they even have practical applications. In theatres and bars, they have ceilings made of holes. Since, today, even the people in the street can comprehend the latest forms. It's the artists that are the ones who know little '.
When Fontana talks about street people, he invokes the image of imperfection in which the form of the hole is like any other where the transformation of life takes place. He is not afraid of the dirt, nor the violence of his creative work He throws tar onto an artifact made of plaster of a human figure and calls the piece "Black Man".
A few years later, the cut is transformed into the conquest of space, in the form of an overthrow of sculpture and painting by a new space which combines them: the break with verticality to create an open passageway.
The inhalation and exhaling from the canvas, can be seen from afar in a more cerebral and bourgeois sense, of the work that Gina Pane later did on her skin. The gesture is nevertheless the eternal character in the context of art is destined to be destroyed. The wound and the cut represent border, path and exchange. The artist herself opens the canvas by splitting it in two and proclaims the canvas's finiteness. the holes become black holes that provide an illusion of depth. They also reveal the vastness that we never understand.
We are waiting for new discoveries that we don't yet know
Fontana named the cuts "Waits," openings that allow new and unique things emerge that we don't are aware of.
When we commit a mistake, when we cause harm or injury to another injuring or hurting another, we need to wait for a time before the reaction. The first reaction is the shock of the error and the failure to be overcome, after that, figuring out what steps to take to compensate or to get it out of the way Then we await the consequences of that break and the mistake that could be a brand amazing and new source. But it's not.
A few people have understood (and are able to comprehend) this philosophy because they are constantly judging how reality and human beings are, in addition, affixed to the two-dimensionality that is the nature of canvas. We keep fighting every inch of our being the correct methods, the correct way to present and function in society, so much that we rely on norms that ultimately define Normativity.
It's impossible to find anything more confusing. Convinced that we know everything, we apply our yardstick to all other living organisms and ecosystem on the planet However, we see the world from a narrow and biased viewpoint that is not in line with the reality of Anthropocentrism, but also personal interpretations of other theories that are almost never the right ones.
Accept that there is no absolute perfection.
This is also true for our society, which demands to be better at all costs, without pondering the fact that perhaps, rather than improving standards, we could learn to be more accepting of the world in the present. Do we accept pain? Do we accept death? Do we accept the bodies of others? Do we accept diversity? Most importantly, after we accept, do you honor our diversity?
Most of the time, we resort to invisibilising the things that do not match the "perfect" nature of our own little planet or universe. This causes us to be horrified, angry, and irritated, pushed away, swept under the carpet and then we show the very imperfection that we actually are, but do not accept.
Being aware of one's limits is crucial as is recognizing the interconnectedness of everything in the world system. Either we are ALL put in a position to do our best, or there's no reason to compete or exert effort, except for the motive of increasing inequalities. It's great and good to know that some after much effort have made it, as have those who have been so fortunate. But in the broader context, always stretching the boundaries just a bit further it's a perfection' in an imperfect setting; there is no "perfection" in an absolute sense.
Can this be a reality?
Cut: let the truth in
We can conclude that Fontana attempted to do so, since from the very beginning he rejected the easy routes to success, and opted instead to experiment with the unknown and unpredictability, which means he decided to leave the idea of being the one and following the path of research that led him to unravel certain truths.
For me, and my personal perspective, Fontana is the one who rips the veil and lets the light through, even if he put obscuring black sails behind the cuts. An artist of spatial art as well as one of the forerunners of that art understood not just as a piece of work, but also as a gesture an act, in and around it. as a consequence of action on the space, as the activation of narrative, which is a large part of what is being done today.
For me, his cuts reveal all of this, opening up new perspectives to art and new perspectives on the world , and new questions. The wound for this, is not just pain, the wound reveals the idea of mortality, shortness, uncertainty and fragility. A wound can make us think and makes us think the way we think, and this is vital to stay in the right place. As difficult as it is to suffer and as much as, in a perfect narrative of existence it would be wonderful (and appropriate) to learn only by positive reinforcements. As long as we as a society are unable to avoid the suffering of others as well like our own, we're condemned to the unresolved and to live in an unfulfilled reality.
Let us take pleasure in the cinema and its happy endings its beauty that we take for granted and which we misunderstand and take as a template for our lives, because the visual arts on the other hand are the children of suffering, and any artist who wishes to speak the truth, had to traverse the pain.
Concepts like art and life must mix with each other because there is no point in keeping a distance between human activity and the human. Life is art (creative energy - sexual), who said that? This is the reason why the most intriguing art is the one is about life, that reveals different experiences, specifics, questions, and points of view.
When it comes to life, it is essential to reject the idea of a perfection to be achieved (in order to respond to such expectations The only art that we can think of is that of the cinema). The nature of error is the essence of being Human The stumbling block that we've every one of us at one point or another: impulsive judgement, haste, fear or anger, the unending need for control and security, wrong choices. Do you think you've not made one of these errors?
Open: https://squareblogs.net/playvinyl5/high-5-books-about-lucio-fontana a new perspective from which to see
When we slip, we hurt ourselves more or less intensely and are prone to judge that fall, to consider the error as a result of the expectations we hold of ourselves and other people. The injury is the actual point from which we see the truth. From there, we can no longer rely on the illusion of perfection (which if it were such would not be a problem) and examine the things that are broken. We look at it and then look at ourselves.
Fontana cut her hair with the consciousness of breaking, opening, tearing since destruction is often the strongest creative action, and all the more so in a culture that, since a very early stage, we're immersed in a powerful, imprinted system of beliefs and models. It is no coincidence that Fontana said in 1963 in an interview with Nerio Minuzzo that:
"The critics have always criticized me, however, I never worried about it, I went ahead anyway and I didn't take anyone's salute. In the past, they called me 'the one who has holes', with a little pity. However, today I can see that my cuts and holes have earned me a reputation that is accepted, and they even have practical applications. In theatres and bars, they have ceilings made of holes. Since, today, even the people in the street can comprehend the latest forms. It's the artists that are the ones who know little '.
When Fontana talks about street people, he invokes the image of imperfection in which the form of the hole is like any other where the transformation of life takes place. He is not afraid of the dirt, nor the violence of his creative work He throws tar onto an artifact made of plaster of a human figure and calls the piece "Black Man".
A few years later, the cut is transformed into the conquest of space, in the form of an overthrow of sculpture and painting by a new space which combines them: the break with verticality to create an open passageway.
The inhalation and exhaling from the canvas, can be seen from afar in a more cerebral and bourgeois sense, of the work that Gina Pane later did on her skin. The gesture is nevertheless the eternal character in the context of art is destined to be destroyed. The wound and the cut represent border, path and exchange. The artist herself opens the canvas by splitting it in two and proclaims the canvas's finiteness. the holes become black holes that provide an illusion of depth. They also reveal the vastness that we never understand.
We are waiting for new discoveries that we don't yet know
Fontana named the cuts "Waits," openings that allow new and unique things emerge that we don't are aware of.
When we commit a mistake, when we cause harm or injury to another injuring or hurting another, we need to wait for a time before the reaction. The first reaction is the shock of the error and the failure to be overcome, after that, figuring out what steps to take to compensate or to get it out of the way Then we await the consequences of that break and the mistake that could be a brand amazing and new source. But it's not.
A few people have understood (and are able to comprehend) this philosophy because they are constantly judging how reality and human beings are, in addition, affixed to the two-dimensionality that is the nature of canvas. We keep fighting every inch of our being the correct methods, the correct way to present and function in society, so much that we rely on norms that ultimately define Normativity.
It's impossible to find anything more confusing. Convinced that we know everything, we apply our yardstick to all other living organisms and ecosystem on the planet However, we see the world from a narrow and biased viewpoint that is not in line with the reality of Anthropocentrism, but also personal interpretations of other theories that are almost never the right ones.
Accept that there is no absolute perfection.
This is also true for our society, which demands to be better at all costs, without pondering the fact that perhaps, rather than improving standards, we could learn to be more accepting of the world in the present. Do we accept pain? Do we accept death? Do we accept the bodies of others? Do we accept diversity? Most importantly, after we accept, do you honor our diversity?
Most of the time, we resort to invisibilising the things that do not match the "perfect" nature of our own little planet or universe. This causes us to be horrified, angry, and irritated, pushed away, swept under the carpet and then we show the very imperfection that we actually are, but do not accept.
Being aware of one's limits is crucial as is recognizing the interconnectedness of everything in the world system. Either we are ALL put in a position to do our best, or there's no reason to compete or exert effort, except for the motive of increasing inequalities. It's great and good to know that some after much effort have made it, as have those who have been so fortunate. But in the broader context, always stretching the boundaries just a bit further it's a perfection' in an imperfect setting; there is no "perfection" in an absolute sense.
Can this be a reality?
Cut: let the truth in
We can conclude that Fontana attempted to do so, since from the very beginning he rejected the easy routes to success, and opted instead to experiment with the unknown and unpredictability, which means he decided to leave the idea of being the one and following the path of research that led him to unravel certain truths.
For me, and my personal perspective, Fontana is the one who rips the veil and lets the light through, even if he put obscuring black sails behind the cuts. An artist of spatial art as well as one of the forerunners of that art understood not just as a piece of work, but also as a gesture an act, in and around it. as a consequence of action on the space, as the activation of narrative, which is a large part of what is being done today.
For me, his cuts reveal all of this, opening up new perspectives to art and new perspectives on the world , and new questions. The wound for this, is not just pain, the wound reveals the idea of mortality, shortness, uncertainty and fragility. A wound can make us think and makes us think the way we think, and this is vital to stay in the right place. As difficult as it is to suffer and as much as, in a perfect narrative of existence it would be wonderful (and appropriate) to learn only by positive reinforcements. As long as we as a society are unable to avoid the suffering of others as well like our own, we're condemned to the unresolved and to live in an unfulfilled reality.
Let us take pleasure in the cinema and its happy endings its beauty that we take for granted and which we misunderstand and take as a template for our lives, because the visual arts on the other hand are the children of suffering, and any artist who wishes to speak the truth, had to traverse the pain.